"Not ready", presentation at "La Marseillaise" Death to live, by Denis Bonneville After a subtle editing of texts by Chekhov, Aurélie Leroux and his accomplices of Co. A-side of the plateau found with Bernardine "Not ready". In 2008, a few seasons after they leave the Regional School Cannes Film actors, young actors of CO. A-side Bernardine offered to dive into the magnificent work of Anton Chekhov, a very personal journey and well appointed - then so Feel my heart that beat-back the following year at the Theatre de la Bastille in Paris. Already, with humility but personality, Aurélie Leroux, chieftain of a group which, obviously, everybody brings his stone, sent forth an order to place precisely to "side" of the usual production, exploring other nonlinearities , assuming a dreamlike quality that leaves a prominent place the imagination of the viewer.
1 year, 1 year younger
If she enters their new project, set up tonight on the plateau Bernadine co faithful, "in line" of precedent, though it says it wants to "dig the same things, continuing our small way, the bet will Not ready yet beyond, not relying on a "dramatic work" referenced. "We wanted to talk about death. At the outset, it seemed pretentious, we wondered how so young, so inexperienced, they could afford to build a show on it, but the desire was stronger, precisely because in a world that makes us prisoners of timeliness, profitability, concern for effectiveness leads us to exclude the death, to the "next". "How? "We wanted to do interviews from the streets at random, each in his neighborhood, and raise sentences, asking questions very naive and very sharp on the subject, very quickly, got thrown out! "She recalls, smiling. "And then other issues came up, a little diversion, like" do you celebrate your anniversaire ?"; et là, les langues se déliaient, les gens très vite revenaient à notre sujet, à la mort, "un anniversaire, c’est plutôt un an de moins qu’un an de plus…". On recevait des réponses très belles, parfois étranges… Par exemple, la fête qui évoque le plus la mort chez les gens, c’est Noël, parce que d’une année sur l’autre, s’opère le décompte des naissances et des morts de l’année… »
Mort créatrice
« Je sais que c’est pas énorme, comme discours politique, mais c’est ce dont j’ai need on a tray ... "shows the young woman who, above all, wanted to" get out of our little experiments of theater people, avoid references to death in the great classics, Chekhov, Shakespeare's ... "The science has been the ideal material, after a meeting with the researcher Marseille Peter Goldstein, who spent much of his research in the mechanisms of "cell death" programmed "It's truly exciting to realize that every second, a billion cells our bodies must die so that others can be born; this "creative death", which implies que, chimiquement, nous sommes sans cesse quelqu’un d’autre, de seconde en seconde, que l’on est en quelque sorte toujours "en sursis", nous a entraînés vers d’autres questionnements. Par exemple, si nous sommes toujours en train de "muter", comment se fait-il que, finalement, notre apparence reste la même, et évolue finalement si lentement… », poursuit-elle, s’appuyant particulièrement sur La sculpture du vivant, de Jean-Claude Ameisen. La mort n’est donc plus seulement une échéance fatale, une perspective morbide, mais deviendrait ainsi « un matériau indispensable à la vie ». Au fil des improvisations et des mises en situation, en residences but also in Marseille at the Foundry and Le Mans Pond Erl, the actors are moving to other natural playgrounds, drinking from other sources, songs of Jeanne Moreau and Brigitte Fontaine or the tales of Grimm, "with their cruelty, their brutality, but they maintain the porosity between dreams and reality." A "disturbance of boundaries" that, beyond the gestures and words, will go down in world of sound and scenography designed especially with Thomas Furnace, "white as a scientific laboratory or a waiting room, between white and transparent plastic sheets ... "
Fragile, beautiful and ridiculous
Other" food, "the latest film by Akira Kurosawa, Madadayo, translated as" not ready ":" It is the story of an old man who sees the approach of death and makes every moment of everyday a celebration. That's where it is, what we hoped: by leaving the room, I want the audience to say "we're still alive!" "
A life in perpetual motion, in the heart of the show" almost choreographed "Where the sextet" constantly reorganizes, each constantly reacting to the actions and words of others, "and rather than roles," reconvene "anecdotes, fragments of existence, but significant stealth," a Christmas, a large mother, a marriage ... "A show that they wanted" beautiful, fragile and pathetic, like life. " DENIS BONNEVILLE
http://www.lamarseillaise.fr/th-tre-humour/la-mort-vif.html
