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9 July 22h at Bois des Moutiers

Jean-Michel Bertin and Le Grand Bizarre , Bal electro-pastoral: Highlighting and music park Bois des Moutiers
An overlay of colors, materials and sounds metamorphose Park Bois des Moutiers on opening night in hybridization between a wild splendor of the English garden and a combo of gross effects chain.
A cosmic electronic music.
A smoke machine top of the slope. A strobe
in a bush.
A fan in a giant tree.
games of colors in a grove.
A fire on a slope.
mics fireworks from time to time.
And the magic of the park ...

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videos and concert films


Saturday, July 24 at DSN

6:30 p.m. Presentation of videos from the Pompidou Centre in Florence Parot
8:30 p.m. "A Day in the Country" by Jean Renoir + "The Drift" Philippe Terrier-Hermann

Palimpsest
Presenting a selection of videos by Florence Parot Collection of New Media MNAM, Centre Pompidou. This selection will give
watch videos, which make the landscape, light and color essential. Some works are realistic wish - choosing their subjects in contemporary life (Jean-Luc Godard, Rachel Reupke, Bill Viola) - other (Thierry Kuntzel Nik Thoenen & Timo Novotny, Goldt Karo,) will seek to show only the immaterial part of these elements.

Some campaign Jean Renoir + Drift Philippe Terrier-Hermann
Jean Renoir resume here the world of his father, the painter Auguste Renoir. Found, transposed to the cinema, aesthetics and themes Impressionists, so that you can literally match the sequence of part of campaign pictures of the father, The Swing, The Boating Party, or The Promenade. Directed
on the same premises of a Party campaign, which has become reference to the director as evidence after writing the screenplay, Drift evokes many aspects of the film by Renoir. The bucolic setting of course, far from the urban bustle, awakens in the characters same tension between joy and melancholy.

Sayings In A Beauty Salon

Edward Barrow


Edward Barrow (vocals, piano), Benoit Laporta (guitar, keyboards), Jean-Baptiste Bernet (banjo, harmonium)
With elegance, emotions modest, quiet and romantic sensibility, Edward Barrow, author, French composer and interpreter of English itself as a crooner of the XXI century compositions by simple, gently melancholic, soothing and spontaneous. Ambiancée between folk and jazz inflections, Edward Barrow creates a unique musical universe, at once intimate and generous when we hear influences refined by Marianne Faithfull, Leonard Cohen or even Anthony and the Johnsons, Radiohead, Matthew Scott. His songs have this ability to give rise to images and a special atmosphere. Played in the beautiful Music Room of the Bois des Moutiers, they enter into correspondence with the lush and harmonious composition of the English garden.

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Concert Debussy, Ravel, Roussel, Yamada

Saturday, July 17th, 20:30 at Bois des Moutiers, Varengeville

Trio: Alessandro Fagiuoli, violin, Luca Paccagnella, cello and Jean Pierre Armengaud, piano.

"Trio in G major Debussy's" Trio in F minor » et Sonate de Ravel, « Choses vues de droite et de gauche » pour violon et piano de Satie, "Segovia" de Roussel.
« Miroir / Reflet », une création originale de Norman Yamada pour le trio et avec la participation de la violoncelliste Frances Bartlett
Le trio interprètera 3 œuvres de la période impressionniste et une commande spéciale à Norman Yamada qui propose d’expérimenter l’écoute, d’être attentif à la manière dont on perçoit les sons et quelles impressions produit un dispositif particulier.

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Manoir d'Ango, Varengeville


Anri Sala, Time after time , 2003, video (5 min 22)
Projection in the stables of Manoir d'Ango, video of Time After Time Anri Sala surprises with its darkness, its silence, as its subject. The equestrian theme was treated by the Impressionists, particularly Manet and Degas, as an unavoidable aspect of everyday life in the 19th century. The horse allowed to express the speed, which joined with the Impressionists, the focus at the moment. In the video of Sala, the animal seems to have no place at a time when the automobile has long since supplanted the coupling. The appearance of a still and ghostly horse in the stable is abandoned as an incongruous and poetic that his presence along a highway ...

Schÿler Alice Mallet Light, Space, Water , 2010 Installation
The artist often works in situ, resonance with the history and the vibrations of the place: here, she was inspired prints of arches visible on a wall in the orthogonal tower of the manor of Ango and lightness of architectural elevation. The cloud of feather represents a memory infidel, a subjective impression of the place.

Boukova Rada, From illusion , 2010 installation in situ
A key neon illuminates the space and the sizzling sounds of the electrical connection in the confined space. The artist plays on the double meaning of words and things: the key used to open and close, but figuratively, a key is also a tool for understanding or explanation. This message here is doubled by the symbolism of light, which illuminates and lets see. This work does therefore refers to nothing other than itself: it is its own key, its own light. With neon, light and color, which fascinated the Impressionists are one with the object. We can then question the items gathered here: the light could be the key to color? Or color key light?

Myohanen Sari, Hortensia 1 and 2, installation in situ, 2010

the garden of the Manor of Ango, two interventions in ponds
depict color combinations
suggested by the proximity of the collection of Hydrangea Garden
Shamrock. The study of these flowers
takes the form of compositions in pixels 3D, to zoom in
flowers, and out into the landscape. Flowers
on water? Conceptual variation on the theme of Monet's water lilies
. Each offers a Hydrangea
Impressionist: this flower exposes a wealth of variations
cool colors (pink, purple, blue
, mints), which extends to the pastel shaded
fluorescent shades. Each ball of flowers is a
world, a collection of smaller fractal flowers
sometimes slightly mottled.

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School Group Arques-la-Bataille

Marti Folio Anachronisms 1, 2 and 3 painting, 2010
Marti Folio preset a triptych made specially for the festival: three stars, three angles of a landscape, a panorama that takes us back in the footsteps of the painter William Turner and his meeting with the grove surrounding the town of Arch- la-Bataille. Almost two centuries later, the same angle of view, the primary inspiration gives way to a re-interpretation, an impression of the print ... Nothing has changed although Marti Folio discretion of fun with this factory chimney and other small touches post-impressionists, such as time indices anachronistic.

Véronique Ellena Landscapes , 2009, photographs
Véronique Ellena's photographs reflect a refined vision of the world, based on a subtle and careful observation. His landscapes invite contemplation, and carry in their simplicity, some emotionally silent. This series takes us back to the basics of classical painting, by the rigor and simplicity of composition, technical quality and plastic images. They are treated the same places as the Impressionists, front frame so as to immerse the viewer. The artist is too much attention to the colors and light, it will be intense, as in Le Havre, or all in shades of Sète.

Veilhan Landscape ghost No. 5 (2003), photomechanical reproduction and Six animals (1989), sculpture
representation among Veilhan, through a schematic or simplified forms. In the series of landscapes ghosts, details and colors are removed, the image is reduced to pixels. Pixels that could be the digital equivalent of the key pointillist or impressionist brush. The artist addresses the archetypes of art within a landscape "shot", the cliffs of Etretat treated many times by the Impressionist painters Eugene Boudin, Claude Monet, Eugene Delacroix. But the impression we Veilhan book is that of an image which tends to its simplest formal expression and not to make light of their own at a time, to express a feeling of landscape. Six animals were spectators of this unexpected landscape. Schematized too, all brought to the same dimensions without concern for realism, they form a community, status undetermined, between Toys, totems and statues.

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Central Penly


(until 29 August)
Christian Merlhiot, The Trials of Oscar Wilde , 2010, Movie, 48mn, ver ang st.

Oscar Wilde was close to the impressionists, particularly the painter James Whistler. He experienced reconciliations between poetry and painting in the form of "visual poems" he called Impressions, and has always defended the subjectivity in art. In 1897, after a trial that turns against him, he was convicted and sentenced for homosexuality Two years of hard labor. On his release he changed his identity, leaving England to Dieppe and moved to Berneval and Paris. For his film, Christian was selected Merlhiot lengthy extracts from the trial to account for this last coup de theater "in the life of the author. It is however not a pageant, in fact, the film features a young translator working for the Arabic version of the trial and it's the same actor, Nasri Sayegh, who plays only the different roles.

Desert Eagle Gold Marui

Castle Museum-Media


Ange Leccia, Sea, 1991, HD video, 4min
In this video without beginning or end, Ange Leccia records with unusual point of view the infinite movement of waves that form and then come running out on the beach. The rhythm of the sea, silence, the intense colors and processing forms fascinate and invite contemplation. For the Impressionists, the sea was an ideal subject for reporting of light and movement, and the colors of water and sky varies every moment. Ange Leccia, natural phenomena can also give to see the appearance and disappearance of the image, its own materiality.

Gabor Osz Stavern B. (Norway) , 2001 Cibachrome Photograph camera obscura
Gabor Osz The practice is strongly determined by the technique he employs: the pinhole camera, or camera obscura. The pinhole camera allows for pictures without a camera, and not through the negative since it is the paper that is directly exposed. This photo is part of the series The Liquid horizon, the artist made from the blockhouse of the Atlantic Wall. Gabor Osz used the bunker as the camera obscura: leaving the photo paper for at least 4 hours indoors, he obtained a photograph of the landscape visible through the loopholes. In contrast to a snapshot is the image of a period, since the only elements that can be seen are those who have neither changed nor moved. In some ways, it is the opposite approach from that of the Impressionists, who sought precisely to seize the moment.

Andy Gillet and Philippe Terrier-Hermann, smartweed, 2010 Film, 8mn
This film made specially for the Festival by Andy Gillet and Philippe Terrier-Hermann offers a guided subjective du Bois des Moutiers, architectural and park designed in 1898 by famous English architect Sir Edwin Lutyens, with the help of Miss Gertrude Jekyll landscaping. This delightful property "Arts & Crafts has received many prestigious guests and scored many artists of the Impressionist period to the present. The film shown at the Castle-Museum of Dieppe, close to the paintings of Jacques Emile Blanche, loosely based on memories of visiting the property as it did with Jean Cocteau in 1913. This recollection of the Bois des Moutiers is part of a collection of writings and drawings considered by the author as his first work: The Potomac.

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Jean Renoir


(until 29 August)
Simon Faithfull We Climbed a final round ridge and saw a whaling boat Entering the bay 2500ft, below. A Few moments Later weekends Saw The sheds and factory of Stromness whaling-station. We paused and shook hands. Ernest Shackleton , 2005 Video, 12 minutes

Sea lions have taken over a deserted fishing resort by men. The scene was incongruous, funny and poetic, nothing dramatic tick in the disappearance of human presence, since the place has become the playground of the animals. In 2005, Simon Faithfull share in Antarctica with a team of scientists Ernest Shackleton on the ship. This video is part of "Ice Blink Project" is to say, this trip, and what the artist has returned to reporting. The title tells of the discovery of the fishing resort, suggesting that the video would be a kind of diary: the artist relates what he saw, his impressions of travel, here's surprising encounter with sea lions

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The automobile is another passion shared by members of the association office. Gael sign his book "La Baule and the car" before the tobacco shop, newspaper Avenue Lajarrige this Sunday, May 9, between 15 hours and 18 hours.
We also present the association "the viewpoint of the coast of Love" and hope to meet you to discuss about this wonderful project.