Marti Folio Anachronisms 1, 2 and 3 painting, 2010 Marti Folio preset a triptych made specially for the festival: three stars, three angles of a landscape, a panorama that takes us back in the footsteps of the painter William Turner and his meeting with the grove surrounding the town of Arch- la-Bataille. Almost two centuries later, the same angle of view, the primary inspiration gives way to a re-interpretation, an impression of the print ... Nothing has changed although Marti Folio discretion of fun with this factory chimney and other small touches post-impressionists, such as time indices anachronistic.
Véronique Ellena Landscapes , 2009, photographs
Véronique Ellena's photographs reflect a refined vision of the world, based on a subtle and careful observation. His landscapes invite contemplation, and carry in their simplicity, some emotionally silent. This series takes us back to the basics of classical painting, by the rigor and simplicity of composition, technical quality and plastic images. They are treated the same places as the Impressionists, front frame so as to immerse the viewer. The artist is too much attention to the colors and light, it will be intense, as in Le Havre, or all in shades of Sète.
Veilhan Landscape ghost No. 5 (2003), photomechanical reproduction and Six animals (1989), sculpture
representation among Veilhan, through a schematic or simplified forms. In the series of landscapes ghosts, details and colors are removed, the image is reduced to pixels. Pixels that could be the digital equivalent of the key pointillist or impressionist brush. The artist addresses the archetypes of art within a landscape "shot", the cliffs of Etretat treated many times by the Impressionist painters Eugene Boudin, Claude Monet, Eugene Delacroix. But the impression we Veilhan book is that of an image which tends to its simplest formal expression and not to make light of their own at a time, to express a feeling of landscape. Six animals were spectators of this unexpected landscape. Schematized too, all brought to the same dimensions without concern for realism, they form a community, status undetermined, between Toys, totems and statues.
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